Exhibitions:
2018 THE CONDITIONS OF BEING ART: PAT HEARN GALLERY AND AMERICAN FINE ARTS, CO. (1983-2004), Hessel Museum of Art,
Annandale-on-Hudson, NY(Co-curated by Jeannine Tang, Senior Academic Advisor and LUMA Fellow at CCS Bard;
Lia Gangitano; founder of Participant Inc and Faculty at CCS Bard and Ann Butler, Director of the Library and
Archives at CCS Bard.)
2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, NYC (Curated by Massimiliano Gioni, Associate Director
and Director of Exhibitions, Gary Carrion-Murayari, Curator, Jenny Moore, Associate Curator, and
Margot Norton, Assistant Curator.)
2008 Selected Works 1992-1994, Between Bridges, London, England (Curated by Wolfgang Tillmans)
2004 Now and Ten Years Ago/Kulturelle Statenticklung in New York and Berlin, Kunstwerke, Berlin
2000 Art Club 2000(Retrospective), Museo de Arte Carillo Gil, Mexico City, Mexico (Curated by Magali Ariola)
1999 1999.(A Retrodisrespective) American Fine Arts, Co., NYC
1998 Night of the Living Dead Author. American Fine Arts, Co., NYC
1997 1970. American Fine Arts, Co., NYC
1996 SoHo So Long. American Fine Arts, Co., NYC
1995 L’Arte Dell’Amore. Galleria S.A.L.E.S., Rome, Italy
1995 Working!Gallerie Forde, Geneva, Switzerland
Jackie McAllister.(In cooperation with Jackie McAllister) Transmission Gallery, Glasgow, Scotland
Night in the City.American Fine Arts, Co. NYC
Milanarian. Galerie Facsimilie, Milan, Italy
1994 Kunst Klub2000. Allgirls, Berlin
Clear. American Fine Arts, Co., NYC
1993 Commingle. American Fine Arts, Co., NYC
Group Exhibitions:
2011 Dealing with Some Books, Visuals, and Works Related to American Fine Arts Co. Kunstraum of Leuphana University of Lueneburg,
Lueneburg, Germany
Good Friends. Asia Song Society (Curated by Michael Bullock and Paul Kopkau
2004 Now and Ten Years Ago. KW-Institute for Contemporary Art, Berlin, Germany (Curated by Josef Strau, Gertrude Berlin and Axel Wieder)
2001 This is The Modern World. Modern Culture at The Gershin Hotel, NYC
2000 Fabula: Consumer Media and Contemporary Art. Cranbrook Art Museum, Bloomfield Hills, Michigan
Collective Art Works. Les Abbatoirs, Toulouse, France
Distinctions.Center for Cuartorial Studies, Bard College, Annandale-on-Hudson, NY, NY
Tectonic. La Panaderia, Mexico City, Mexico
Start! Modern Culture at the Gershwin Hotel, NY, NY
1999 May Day, Photographer’s Gallery, London
Collective Consciousness: Video Collaborations from the 70’s to the 90’s, Diverse Works, Houston
1998 Tune In, Lawing Gallery, Houston
1997 Heaven, P.S.1, Queens, NY, curated by Joshua Decter
AC2K Free Snax Let’s Work,Life, NYC
Land Marks, John Weber Gallery, NYC
100 Photographs, American Fine Arts, NYC
1996 A/Drift, Center for Curatorial Studies Museum, Bard College, NY, curated by Josh Decter
Summer Group Show, American Fine Arts, Co., NYC
Global Tekno 2, Musee d’art contemporain, Bordeaux; Radio FG, Paris; the American Center; Passage de Retz
(touring: Paris, Bordeaux & Marseille)
Strange Days, the agency. contemporary art, London
Departure Lounge, P.S. 1 Clock Tower Building, NYC
Art At Home Ideal Standard Life, Art Dynamics, Tokyo
Art Club 2000, Michael Lavine, Richard Prince.Jose Freire, NYC
Variétés le capitou, Frejus, France
21 Days of Darkness, Transmission Gallery, Glasgow, Scotland (Traveling to London)
1995 Dark Memories-- curated by Larry Johnson, Marc Foxx Gallery, Los Angeles
Biennale Internationale D’Arte De Groupe Cargo, Marsaille, France
Cosmos Centre National D’Art Contemporain, Grenoble, France
Fuoriuso ’95, Pescara, Italy
Campo, Foundazione Sandretto-Rebaudengo, Venice, Italy
Time Festival, Ghent, Belgium
Closing In, Institute of Contemporary Art, Philadelphia, PA
Garbage! Thread Waxing Space, NYC
Make Believe, Henry Moore and Gulbenkian Galleries/Royal College of Art, London
B-Movie, San Francisco Art Fair
Multiple Exposure: The Group Portrait in Photography.Traveling through 1997
Esprit d’ Amusement. Grazer Kunstverein, Graz (Austria)
Sawtelle. Domestic Setting, Los Angeles
1994 Garbage! Real Art Ways, Hartford, CT
Projects & Symposium:
1996 AC2K - NYC Museum Cafe Reviews (in collaboration with...), Unpublished, commissioned by Flash Art International
1994 The Asprin Design Conference, Cooper Union for the Advancement of Science and Art, NYC
Selected Lectures and Studio Visits:
2001 Accademia delle Belle Arti, Milan, Italy
1997 Brighton Polytechnic, England
1997 St. Martin’s College, England
1997 Queen’s College, Cambridge, England
1996 University of Aberdeen, Scotland
1995 Royal College of Art, London
1995 Universitè de Genève, Geneva, Switzerland
1995 Temple University, Rome, Italy
Selected Bibliography:
Afterall, “AC2K, A.F.A., Co., & C. de L” / Jackie McAllister. & “Do you, promise not to transform” / Gareth James, Autumn/Winter 2009
Frieze “Common Culture,” Michael Bracewell, June 6, 1999
Art at the Turn of the Millennium/Astrid Wege, Taschen, 1999
The New York Times “Night of the Living Dead Author”/Ken Johnson June 12, 1998
Time Out New York/Howard Halle July 3-10 , 1997
The New Yorker “1970” July 14, 1997
New York Post “Must Museum”/Whitney Scott July 19, 1997
Paper Magazine “Gallery Go Round. Artists as Observers and Activists.”/ Victoria Pederson, July 1997
Frieze “Does Not Play Well With Others.”/ Ronald Jones, November, 1996
ARTFORUM International “Top Ten Thurston Moore’s Real Life Rock” / Thurston Moore, November, 1996
BT / Manami Fujimori, November, 1996
The New York Times “Art in Review. Discovering how big things work, and laughing at them.”/ Roberta Smith, August 23, 1996
Time Out New York “O SOHO MIO” / Howard Halle, August 7-14, 1996
The New Yorker “AC2K, Galleries Downtown” August 7, 1996
Sculpture “Art Club 2000 S.A.L.E.S. Gallery” May / June 1996
Flash Art Italian Edition “Art Club 2000 S.A.L.E.S. Roma” / Gianluca Marziani, April/ May 1996
Time Out New York “Artclub 2000, Michael Lavine, Richard Prince Jose Freire, through Apr 27”/ Howard Halle April, 1996
Vogue Italia “art emodello” /Mariuccia Casadio March 1996
Opening “L’ arte dell ‘amore”/ Lucilla Meloni, Winter 95/96
Il Tempo “Arte in Scena” / Gabriele Simongini, Dec. 1995
L’ Opinione “Cultura tubocatodica di piu brame, sei ono la piu brutta del reame” / Gianluca Marziani, Nov. 1995
L’Uomo Vogue “Figli della generazione post sessantottina, attori non protagonisti nell’arte e nella moda.”/Mariuccia Casadio June 1995
Hanatsubaki “What is Art Today?”/ April 1995
Flash Art Italian Edition “Art Club 2000 Fac Simile”/ Ivo Bonacorsi, April 1995
Art Monthly “Garbage”/ Jeffrey Kastner, April 1995
la Repubblica “Sette artisti in posa in cerca d’identita”/ Cloe Piccoli March 1995
The European “Trashy Art of American Satire”/Julie Besonen January 1995
Frieze “Blood and Guts After High School” / Interview by Collier Schorr November- December 1994
Flash Art Italian Edition “L’Arte Dietro L’Angolo Del 2000”/Giancarlo Politi & Francesco Bonami October 1994
Flash Art “Stupidity as Destiny”/Joshua Decter October 1994
British Vogue “The World according to GAP”/ October 1994
Coagula “Gender-X”/ Sept.1994
British Elle “Welcome to the Nineties”/Jonathan Freedland Sept. 1994
Paper “Generation Gap: Art Club2000’s Collaborative Critiques”/Julie Besonen September 1994
Village Voice “Voice Choices”(review)/Kim Levin August 9 1994
The Face “Apathy in the USA”/Lucie Young July 1994
Might “Trashing the Art Scene: Art Club2000”/Michelle Simons July 1994
Flash Art “Global Art: Art Club2000”/Hugh Gallagher March/April 1994
Artforum “Into the Gap: Art Club2000”/Glenn O’Brien February 1994
Blocnotes Art Contemporain“Commingle”/Sarah Rossiter Fall 1993
Grand Royal “Filling in the Gaps”/ Fall 1993
Art in America “Censorship File”/Walter Robinson September 1993
Village Voice “Art in Brief” (review)/Kim Levin July 13 1993